Sean Borodale |
Biography |
Resurgence
Guardian Ian McMillan will host the Readings, which will be prefaced by Carol Ann Duffy, Chair of the judges, reading one of T S Eliot’s own poems. Get your tickets now from the Southbank Centre’s box office!November 2012 Bee Journal nominated for the Poetry category of the Costa Book Awards. The shortlist of four books includes: The World's Two Smallest Humans by Julia Copus (Faber) People Who Like Meatballs by Selima Hill (Bloodaxe Books) The Overhaul by Kathleen Jamie (Picador) Bee Journal shortlisted for the T S Eliot Prize. The shortlist of ten books includes: The Death of King Arthur by Simon Armitage (Faber) Bee Journal by Sean Borodale (Jonathan Cape) Ice by Gillian Clarke (Carcanet) The World's Two Smallest Humans by Julia Copus (Faber) The Dark Film by Paul Farley (Picador) P L A C E by Jorie Graham (Carcanet) The Overhaul by Kathleen Jamie (Picador) Stag's Leap by Sharon Olds (Jonathan Cape) The Havocs by Jacob Polley (Picador) Burying the Wren by Deryn Rees-Jones (Seren) The winner will be announced on the 14th January, A reading will take place on the 13th January at Southbank's Festival Hall. Reading with Maurice Riordan and others as part of Magma 54 launch on the 19th November @ The Troubadour, Old Brompton Road, London ... Reading @ Spike Island on the 8th November at 7pm, One Night Stand Readings with other writers/artists ... October 2012 Reading with Ann Gray and Adam Horovitz @ the Cheltenham Lit Fest on Saturday 6th Oct at 2pm ... September 2012 Bee Journal on the Fenton Aldeburgh First Collection Prize shortlist ... Reading with Steve Benbow (Urban Beekeeper) at The Blenheim Palace Lit Fest at Woodstock on Friday 14th September at 3pm August 2012 Reading with WIlliam Letford at the Edinburgh International Book Festival on Friday 24th August at 8.30pm Sean Borodale will be reading at Topping's bookshop in Bath on Wednesday 8th August at 8pm ... July 2012 Sean Borodale will be reading from his debut collection Bee Journal on Saturday 21st July at the Port Eliot Festival ... Reading with Steve Benbow (Urban Beekeeper) at Chorleywood Bookshop on Wednesday 18th July at 7.30pm ... Bee Journal published by Jonathan Cape on July 5th ... May 2012 Sean Borodale is a GRANTA NEW POET ... December 2011 Five poems from Bee Journal in BLAZEVOX11 - Winter 2011 ... November 2011 Pages from Bee Journal pamphlet is recommended by Simon Armitage in the Guardian Books of the Year 2011 ... 'Queen' wins third prize in the Bridport Poetry Competition 2011, judged by Carol Ann Duffy ... September 2011 Lyrigraph for the Upper Mells Stream (Damp Night) in The Furthest Reach Poetry Review Volume 101, No.3 Autumn 2011 ... August 2011 NEW PUBLICATION: Pages from Bee Journal all-day launch of a 16-page pamphlet as part of Exmoor Honey Fest, Dunster. 27th August 2011 ... July 2011 Reading from Notes for an Atlas at 7.30pm Sunday Sound Waves // 24 July – 28 August 2011 / 18:00 – 21:00 @ Galerie8, London. Guest Curated by Alexa Kusber ... June 2011 'Field Theatre: Dramatic Tendencies in Lyric Poetry' Poetry in Process, Irish Centre for Poetry Studies, Mater Dei Institute, Dublin, Saturday 18th June ... May 2011 Bee Journal: 7th August in The Rialto Issue 72 ... Lyrigraph for Ice Forming on a Bucket of Water & Lyrigraph for a Road at Midwinter in BRAND 07 ... April 2011 Extract from Bee Journal in Poetry Ireland Review Issue 103, pages 67-73 February 2011 Where is the Poet? p15-19, Moving Between the Lines, ed. Suze Adams, published by Wild Conversations Press for PLaCE, Bristol, 2011. Conference hosted by UWE, Bristol on 01/02 July 2010 – a collaborative venture between The School of Creative Arts, UWE and the Department of Geographical Sciences, University of Bristol. Where is the Poet? outlines a presentation in which I "introduce my documentation of landscape and exploration of the act of writing. I position a few spotlights along what I consider my path of activity; how an obsession with note-making evolved into two lengthy topographical poems – Walking to Paradise, Notes for an Atlas – using peripatetic movement as a mechanical means for reading a landscape, as a score or script for playing the poetic temperament (instrument) of the writer. I then consider how these works informed what I have come to call lyrigraphs – written in a poetic register, on location in real time, and later read in an attempt to re-invoke some shape of the original place or moment." |
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images and text © Sean Borodale 1997-2011 | ||||